Manja-sal and Man-sal Are Different Changho
This series · A Second Look · No. 6 (8 episodes total) Ongoing
"The more firmly something has set, the more it deserves a second look."
- No. 1 Sotgeul-chang or Soseul-chang | The Correct Spelling and Its Origin
- No. 2 The Dokkaebi Has No Horns
- No. 3 Traditional Changho | Why Is This Term So Blurry?
- No. 4 Traditional Changho | Must It Be Built Exactly as the Ancestors Built It?
- No. 5 Traditional Changho | My Hand Plane Is a Japanese Plane
- No. 6 Manja-sal and Man-sal Are Different Changho
- No. 7 Mili Isn't a Water Channel
- No. 8 Jang Gi-in's Changho | Where It Comes Apart
Originally written in Korean by the author. Translated with the help of AI. Read the original
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Two names that meet over a one-syllable difference
Say "man-sal" meaning jeongja-sal, and people sometimes hear it as "manja-sal" instead. Written in Hangul, they're 만자살 and 만살 — close enough that the mix-up makes sense.
But the two have different patterns, and point at different things from the very start.
Manja-sal Is Wanja-sal
It's a changho whose slats are joined into the shape of the character 卍 (man). Written 卍字살, read manja-sal. The same changho is also called wanja-sal.
The naming logic belongs to the same family as jeongja-sal. Jeongja-sal, because it resembles 井; aja-sal, because it resembles 亞; yongja-sal, because it resembles 用. These are all names that write out a character's shape.
Manja-sal is one entry on that same list.
Man-sal Is a Different Word Entirely
It's "man" (滿) meaning "full" — not 卍 at all. It means a grid packed densely full of slats, and this is what points to jeongja-sal joinery.
This becomes clear in the name man-sal-bit-sal-chang (滿箭斜窓, "man-jeon-sa-chang") — a changho that layers bit-sal joinery over jeongja-sal joinery.
Here, the "man-sal" at the front is exactly jeongja-sal joinery. It has nothing whatsoever to do with the character 卍.
The Two Names Are Looking at Different Things
Manja-sal is a name that describes the pattern of a finished changho. Look at the completed face and you see a 卍, so that's what it was called.
Man-sal is a name that describes the method of joining. It says how densely the slats are packed in. It's not a pattern — it's a density.
So these two aren't names that happen to sound alike by accident — they were never meant to sit in the same category to begin with. One names a pattern; the other names a joinery.
So
Most lattice names were coined by the person looking at the changho. 井, 卍, 亞, 用 — every one of these is the word of someone looking at a finished changho from the front.
Man-sal is a different kind of name mixed in among them. It's a word that came from the person doing the making.
Source
- Changdeokgung Suri Dogam Uigwe — "man-jeon-sa-chang (滿箭斜窓)"
- Ju Nam-cheol, Korea's Doors and Changho (Daewonsa, 2001)
- Encyclopedia of Korean Culture, entry "changho (changho)" — "manja-chang [卍字窓]"
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